Sialelli’s modern-artisanal aesthetic Baby Yoda Hug Southern Comfort shirt . Is very firmly entrenched in that of a growing school of young designers in Paris who trained during the early reign of Nicolas Ghesquière. The others are Natacha Ramsay-Levi at Chloé and Julien Dossena at Paco Rabanne, and their work shares many references and experiences that sometimes blur together between collections. Sialelli’s natural-grain leathers, tiered tunic-like outfits, and Fair Isle knits with the letters “JL” worked into the intarsia, are also elements that would have been familiar to him while working with Jonathan Anderson at Loewe. Sialelli did, in a way, pay tribute to the Lanvin legacy when he also included a lot of children’s wear that was blown up to adult-size proportions. Botter and Herrebrugh, who came to the fore through the LVMH Prize with their super playful collection Botter, took a much more serious approach with their first swing at Ricci.
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Sialelli’s modern-artisanal aesthetic Baby Yoda Hug Southern Comfort shirt . Is very firmly entrenched in that of a growing school of young designers in Paris who trained during the early reign of Nicolas Ghesquière. The others are Natacha Ramsay-Levi at Chloé and Julien Dossena at Paco Rabanne, and their work shares many references and experiences that sometimes blur together between collections. Sialelli’s natural-grain leathers, tiered tunic-like outfits, and Fair Isle knits with the letters “JL” worked into the intarsia, are also elements that would have been familiar to him while working with Jonathan Anderson at Loewe. Sialelli did, in a way, pay tribute to the Lanvin legacy when he also included a lot of children’s wear that was blown up to adult-size proportions. Botter and Herrebrugh, who came to the fore through the LVMH Prize with their super playful collection Botter, took a much more serious approach with their first swing at Ricci.
Sialelli’s modern-artisanal aesthetic Baby Yoda Hug Southern Comfort shirt . Is very firmly entrenched in that of a growing school of young designers in Paris who trained during the early reign of Nicolas Ghesquière. The others are Natacha Ramsay-Levi at Chloé and Julien Dossena at Paco Rabanne, and their work shares many references and experiences that sometimes blur together between collections. Sialelli’s natural-grain leathers, tiered tunic-like outfits, and Fair Isle knits with the letters “JL” worked into the intarsia, are also elements that would have been familiar to him while working with Jonathan Anderson at Loewe. Sialelli did, in a way, pay tribute to the Lanvin legacy when he also included a lot of children’s wear that was blown up to adult-size proportions. Botter and Herrebrugh, who came to the fore through the LVMH Prize with their super playful collection Botter, took a much more serious approach with their first swing at Ricci.
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